Brand and Visual Design

South Asian Women Association

origin

Let's create a modern brand for a female-led organization seeking to reach out to women to connect them to resources in the community

Timeline

  1. Research the organization and their mission through interviews
  2. Determine key elements towards SAWA's approach of this mission
  3. Develop colors and visuals corresponding to that culture
Journey

Insight

In my design for a brand identity for SAWA, the South Asian Women’s Association, I researched the organization, their efforts and derived the key causes of culture, communication, and collaboration. After this, I went to design colors representative of the themes of welcoming, growth, and teamwork; and then, compassion, empathy, and cause. These efforts resulted in a pink to represent compassion and love; but, unlike red, not passion, lust, and hunger. In addition, it was complimented by a lighter shade of green to represent growth, welcoming, the flow of communication, and the progress of collaboration, culture, and community—embracing tradition and welcoming the future.

Feedback

After I presented some early drafts of word- and brand-mark combinations, SAWA responded seeking something similar to stacking calligraphy, but in English, and they chose to go with the pink tone alone and wanted me to explore different shades of that and to maintain their brand of a woman in a headscarf, typical to the culture, but clean and modern in design.

Response

Worked towards designing a final brandmark emphasizing the letter "S" along with a headscarf and more relaxed/earthy romantic tones

An early draft of the SAWA brand identity wordmark SAWA and brandmarks of a woman's face and a map of South Asia
Early draft for SAWA brand with new colors and initial brandmarks.
A wordmark of stacking English letters forming the abbreviation S A W A
Stacking calligraphy.
A map of South Asia made out of points with a simple illustration of a group of 3 women towards the top
Concept inspired by pointillism of illustration of South Asia and women.
Moral

Solution

3 illustrations of a side profile of a woman in a headscarf
Brandmarks featuring the concept of profile of a face and/or headscarf

Growth

All design is iterative in its best form. It best begins with research and grows through feedback. I learned this from a visual perspective in one of my first consultations on my own.

Impact

I was able to show those in the community that I could apply my understandings of psychology, my pattern of taste, and talent at creativity towards providing a service for myself and others.